The producers and film crew making an independent short movie in and around Huletts Landing in April 2014 (seen here), recently provided an update on the movie.
Back in April, a film crew and actors descended on Huletts Landing and Whitehall, where they shot an independent short movie.
I recently heard from one of the producers, Jeremy Leach of Lost City Creative, who gave me an update on where things presently stand.
We wrapped up filming in mid/late April after thirteen days of filming. If memory serves, we spent 3 days in Brooklyn, one travel/shoot day going upstate from Brooklyn and the next nine days splitting time between Whitehall and Huletts Landing. One of our biggest concerns before heading up to Huletts was the state of the lake. I was told it had been one of the coldest winters on record and as of April 12th, our first day of production, large portions of the lake had not thawed. Because we had several scenes on the lake, this was a cause of great consternation. However, upon arriving at Huletts on April 15th (in a torrential downpour), we were relieved to find the lake had completely thawed. Apparently, it had gone out two days before we arrived!
Upon beginning the edit, we were delighted to find that many of the scenes from the film, including those filmed in and around Huletts Landing, really capture the beauty of the landscape. The scenes we filmed there are important because they are essentially the first time our main character is immersed in a completely natural environment, a significant stage in the film. We were honored to be able to work with such wonderful people both in Huletts Landing and in Whitehall before, during, and after production.
The first thing we had to do once we finished filming was to cull through and organize the many hours of footage. That took some time because we filmed several complicated scenes, many of which included a variety of long takes. Initially we were unsure of the potential length of the film but after going through all the footage and putting together some rough assembly edits, we’re thinking it could potentially be anywhere from 75 – 90 minutes long. Right now, we are working on and are close to completing a rough cut of the entire film, creating a story arc by assembling the visual building blocks of the film. From there, we will review and move on to a fine cut, where we will start incorporating more complex sound design and begin the arduous process of color correction.
Finding free time to edit while juggling work/personal responsibilities can be challenging, often resulting in a process that takes longer than expected. That said, we’re hoping we can have a finished film by early spring of 2015. After it’s finished, we’ll begin the process of submitting the film to festivals and arranging screenings. I’ll keep you updated with our progress for some follow-up posts for your blog.